Upcoming Events Upcoming Events available at parkcitylive.net http://parkcitylive.net/rss.cfm Sun, 05 Jul 2015 10:05:59 PST en-us Upcoming Events https://s3.amazonaws.com/webassets.ticketmob.com/TS/templates/images/logos/DE9FE19F-F428-8EF3-33258DBDC3E4D3C3.png http://parkcitylive.net/rss.cfm Copyright 2015 parkcitylive.net http://parkcitylive.net/ <![CDATA[Devotchka]]> * This is a 21 or older event *


November 13, 2012 sees the release of DeVotchKa’s new album, “Live with the Colorado Symphony” (Cicero Recordings LTD). The band, a melting pot of genres, forms an authentic and wholly original style of rock ‘n’ roll.  DeVotchKa have been recording and performing for over a decade.  “We have been working towards this moment ever since the band began,” remembers Nick Urata, lead singer and frontman for DeVotchKa. “We've always had orchestral leanings, we wrote for more and more players with every album, when the chance to perform with an entire symphony came, we jumped at it. We thought it would be the perfect night for a live recording and hope the listener feels like they are in the room with us.” 
 
A once in a lifetime opportunity for a band, some of DeVotchKa’s most iconic songs were revisited, restructured, and performed with a full 60-piece orchestra. Rather than hire a composer to create the charts for each instrument, the band took it upon themselves, with Tom Hagerman spending months locked away in his garage fleshing out each note that the orchestra performed.
 
The premise of charting DeVotchKa’s songs for a large symphony began shortly after the release of the band’s score for the film “Little Miss Sunshine”. A critical and box office hit, the film was nominated for the Best Picture Oscar and, for DeVotchKa's soundtrack, a Grammy. The band from Denver finally received the attention they deserved around the world, headlining large venues and performing at practically every major music festival, from Coachella to Bonnaroo, Glastonbury to Pukkelpop. The band looks forward to performing with symphonies of all sizes whenever possible.
 
“Live with the Colorado Symphony” gave the band a chance to have every melody, harmony, and counterpoint, recorded in the studio, to be translated to real people, playing the parts together.
 
DeVotchKa is:
Nick Urata: Vocals, guitars, Theremin, trumpet, piano
Jeanie Schroder: acoustic bass, sousaphone
Shawn King: drums, percussion, trumpet
Tom Hagerman: violin, viola, accordion, piano

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Sat, 18 Jul 2015 09:00:00 PST http://parkcitylive.net/event.cfm?id=211566
<![CDATA[Aaron Lewis]]> * This is a 21 or older event *


"Life is circular. Country just came back to me. It's like the acoustic thing. I did that before the band [Staind]. This is full circle because this was the first music I was ever exposed to as a child." --AARON LEWIS
 
If you want to get to know AARON LEWIS, just listen to The Road. On his first full-length album, the Grammy Award-nominated, multi-platinum singer, songwriter, and guitarist tells one story after another. Echoing traditional country, some of those tales are hilarious and heartwarming, while others are pensive and personal. Nevertheless, they're all equally powerful, vibrant, and unforgettable.  For Lewis, The Road continues to wind and surprise like it always has.
In 2011, the Staind frontman formally arrived in the country world with the release of his debut EP, Town Line. Highlighted by the success of gold-selling single "Country Boy" featuring the legendary George Jones and Charlie Daniels, the seven-song EP reached #1 on the Billboard Country Albums Chart and #7 on the Billboard Top 200 upon release. Critical praise followed: PEOPLE’s Chuck Arnold said, "He proves to be a natural on nostalgic ballads like 'The Story Never Ends,’ (3/14/11)," while the ASSOCIATED PRESS’ Michael McCall wrote, “He injects a flavor of his own into a polished, commercial country sound in a way that could win over country fans who've never heard of Staind (2/28/11).”
Lewis also received two Academy of Country Music nominations for "Vocal Event of the Year" for "Country Boy" (for his work as artist and as co-producer) as well as two CMT nominations--one for "USA Weekend Breakthrough Video of the Year" and another for "Collaborative Video of the Year."  Simultaneously, the music video for the single stirred similar fan fervor, surpassing 12 million views on YouTube and 3 million on CMT.com. After a whirlwind year, Lewis began working on what would become The Road in the fall of 2011.
While balancing both a solo run and a tour supporting Staind's self-titled seventh studio album, he carved out intermittent pockets of time to record in Nashville with legendary Grammy-winning producer James Stroud. 
"I didn't stop to think about it very much," Lewis smiles. "James lets me run with it. We respect each other and he allows me to really be who I am.  I recorded this whole record by bouncing in and out of Nashville on days off. I'd come into town, work for the day, bail out, and play some more shows. Four days later, I'd do the same thing. That's how the album was made, and it's why I called it The Road." 
It's a natural progression from Town Line. The album's ten songs unfold with a classic grit and an invigorating energy all directly from Lewis's heart and soul. The first single, "Endless Summer," recalls an idyllic day in the sun with his daughters. A bluesy guitar twang bends into a shimmering refrain about "another day in paradise" that's both infectious and inimitable.
Lewis laughs, "It proves I can write a happy tune. It's a story about me and the family going to our beach cottage on the weekends. It's all true. We drive down there, cook striper on the grill, and dig our own clams."
Then there's "Forever," a true product of The Road itself. It captures the longing and loneliness of life on the tour bus, while reflecting the immortality of true love. It's touching and thought-provoking all at once. "Doubt can set in on the road," he reveals. "Conversations from home aren't always warm and fuzzy. However, things change when you get back. The song goes from questioning to being reassured that everything is all good."
On the other end of the spectrum, his sense of humor shines through on the propulsive highway anthem "State Lines" and swaggering old school good-time of "Party in Hell."  Lewis goes on, "Adding humor opens the avenues of exploration a little bit more, and it appeals to more of the senses. Plus, it's just fun to imagine what a party in hell might be like with Rick James."
Lewis personally penned all of the songs on The Road but one. For "Grandaddy's Gun," he teamed up with Rhett Akins, Dallas Davidson, and Bobby Pinson, marking the first songwriting collaboration of his career. Annually, Lewis hosts a benefit show for his charity, It Takes a Community, which benefits his daughter's elementary school through community donations. Akins performed "Grandaddy's Gun" at the 2011 show. As soon as Lewis heard the tune, it stayed stuck in his head.
"I was completely blown away by the song," he elaborates. "When the opportunity came up, I decided to record it for The Road. They're three of Nashville's best and I have so much respect for them. It all fit with my life too. I have grandaddy's gun, and he did buy it out of a Sears and Roebuck catalog."
Once again, he collaborated with some heavy hitters in the studio. His musical partner-in-crime Ben Kitterman expanded the overall sound with acoustic guitar, dobro, piano and other instruments. Meanwhile, iconic pedal steel player Paul Franklin makes a return as well as guitarist Brett Mason and Eddie Bayers on drums. Joining the fold in Nashville were Craig Frost [Bob Seger] on keyboards and Keith Horne [Waylon Jennings] on bass. 
Lewis enthuses, "It's definitely a star-studded cast. Many of the songs were cut in one take. At the most, they're two. There's definitely genuine chemistry amongst the amazing musicians on this album. I'm so lucky to have them in the studio with me."
In many ways, The Road brings things full circle for Lewis. In Staind, he has made an indelible mark on hard rock. The group has sold 13 million albums worldwide, yielding four consecutive top 3 debuts on the Billboard Top 200 as well as numerous radio hits. Their single "It's Been Awhile" also remains the most-played rock song of the decade. Still, this new chapter proves cyclical for Lewis, actually bringing him back to the first style of music he'd heard: country music.
Now, he's carrying on a tradition of storytelling and songwriting himself. "I'm really hoping the songs speak for themselves," he concludes. "I hope people hear the record and realize that this is all me. There's nothing more to say. I'm just writing songs like I have been for my whole career."
That's all he really has to do. For Aaron Lewis, The Road looks brighter than ever.
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Wed, 22 Jul 2015 09:00:00 PST http://parkcitylive.net/event.cfm?id=211550
<![CDATA[Trevor Hall]]> * This is a 21 or older event *

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Fri, 07 Aug 2015 09:00:00 PST http://parkcitylive.net/event.cfm?id=207563
<![CDATA[Iron & Wine]]> * This is a 21 or older event *

 

Sam Be am is a singer - songwriter who has been creating music as Iron & Wine for over a decade. Through the course of five albums, numerous EPs and singles, and the recent first volume of an Archive Series - Iron & Wine has captured the emotion and imagi nation of listeners with distinctly cinematic songs. Iron & Wine is currently celebrating ‘Archive Series Volume No. 1’ on Sam’s own label, Black Cricket Recording Co. This first installment taps into work created before Sam was Iron & Wine, when he was m aking music only to be heard by his family. Songs from these same home recording sessions were used for Iron & Wine’s debut, ‘The Creek Drank The Cradle.’ Iron & Wine's concerts feature songs from the entire catalog, with Sam reinterpreting old favorites and debuting new ones.

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Wed, 12 Aug 2015 08:30:00 PST http://parkcitylive.net/event.cfm?id=211760
<![CDATA[The Tallest Man On Earth]]> * This is a 21 or older event *

 

Dark Bird Is Home doesn't feel like it came from one time, one place, or one tape machine. The songs and sounds were captured in various countries, studios, and barns, and they carry a weather-worn quality, some dirt and some grit.

If you're a fan of The Tallest Man On Earth, Dark Bird pays real tribute to the old records you fell for, and goes new places you're going to love as well. If you're new to The Man: holy shit! Many would be jealous of your position. Enjoy these songs, and know there are 40 or more other gems waiting on earlier albums and singles.

Early in Dark Bird, toward the end of the opening track, we hear other voices and sounds backing Kristian Matsson's own. One of them, later credited in the liner notes with Angel Vocals, shows up several times throughout the record, adding new color to the familiar palette. And so the story grows and expands. That first song has horns and a piano, keyboards, synthesizers, and other modern noisemakers... and by track two you've got The Tallest Man on Earth as full-throttle rock and roll.

While Dark Bird is The Tallest Man at his most personal and direct, deeper and darker than ever at times, it's also an album with strokes of whimsy and the scent of new beginnings – which feels fresh for The Tallest Man on Earth, and well timed. Reliably, the melodies and arrangements are sturdy and classic, like old cars & tightly wound clocks. The lyrics and their delivery are both comforting and alarming, like tall trees & wide hills.

The other musicians and layers on this recording put a wide lens on familiar themes. Fear and darkness, sleep or lack of it, dreams in the dark and in the light. Moving, leaving, going. Distance and short stops, long straight lines, temporal places. More hopefully, a grateful nod to a traveling partner, a healing mind. Maybe a little forgiveness needed. Definitely some things to forget.

And of course, that last song. The title track. If there is a little legend-building to be done here, let it be this scene a few of the album's early-listeners can recount: Kristian gently warning them over their shoulder before track ten begins: "Watch out for this one."

You should expect the loudest and proudest sounds yet from The Tallest Man on Earth on album number four, but also the softest and the lowest. For the next few years, the Dark Bird tour will come to your city or a town nearby, and for the first time The Man is bringing a band to the stage with him.

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Tue, 25 Aug 2015 09:00:00 PST http://parkcitylive.net/event.cfm?id=211759
<![CDATA[Mason Jennings]]> * This is a 21 or older event *

 

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Fri, 02 Oct 2015 08:00:00 PST http://parkcitylive.net/event.cfm?id=212078
<![CDATA[Xavier Rudd]]> * This is a 21 or older event *

 

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Sun, 18 Oct 2015 09:00:00 PST http://parkcitylive.net/event.cfm?id=212517